We all kind of think we know what VFX looks like — or at least what bad VFX looks like. We can often feel when computer-generated imagery clashes with the visual language of a film‘s world and is too plastic-y or textureless, when that world is all of a sudden too dark or crumbling into an indistinct mass of large-scale destruction porn. Especially with greater attention now on the punishing crunches and production sprints imposed on visual effects artists and the advent of soulless AI…
‘The Legend of Ochi’ Is a Feat of Puppetry — Its VFX Is Still Essential
