‘O’Dessa’ Review: Sadie Sink in a Post-Apocalyptic Rock Opera With Maximalist Style and Minimal Substance

Sadie Sink in 'O'Dessa'

On the visual level, O’Dessa, writer-director Geremy Jasper’s follow-up to his 2017 crowd-pleaser Patti Cake$, revels in maximalism. Every set is littered with trinkets and lit in neon, every surface caked with layers of ancient grime, every costume a riot of textures and colors.

Its narrative concept aims high, too, transposing the myth of Orpheus and Eurydice into a postapocalyptic Mad Max-meets-Blade Runner landscape. Its themes are heartfelt and grandiose: the power of music,…