In Christopher Landon’s Drop, a widowed mother bravely returns to the dating scene only to find herself caught in an awful game of cat and mouse. Following in the footsteps of films like Phone Booth, Red Eye and, more recently, Carry-On, this Blumhouse production, which premiered at SXSW before its theatrical release in April, balances its pulpy narrative with an escalating and terrifying tension. Landon’s command of suspense, coupled with a compelling romantic thread and delightful…
‘Drop’ Review: A Game Meghann Fahy Endures a Lethal Date in Entertaining Blumhouse Horror
