Not many artists can assume the impact of their work before it’s released out onto the world, but from Wes Anderson‘s early days, he knew how special everything that goes into his films would one day be to the masses. From Max Fischer’s sports jacket and beret in “Rushmore” to Auggie’s camera and pipe in “Asteroid City,” every detail in an Anderson film is intricately and thoughtfully designed, so much so that Cinémathèque Française in Paris has decided to honor the…
Wes Anderson Receives First Career Retrospective of His Work at Cinémathèque Française in Paris
